
Every decent writer knows that she eventually has to kill her darlings, however endearing or alliterate their expressions may be. You simply can't expect them to fly out of context: 'Olly olly oxen free'. 'Ring around the rosie'. 'A tisket, a tasket.' They're not some serendipity (a gallery, som gäller alla), or part of a process that mimics cartoon deaths. From now on, we must promise to take a good look at our own baskets before gathering lost fragments of someone else’s. Who wants to live vicariously in the the coal, dark remains of a burnt out church, or a blown up garden shed? Remember C, what we saw on Isla de la Muerte, a la D.H. Lawrence in Quetzalcoatl?
”Go home,” you say. ”In due course,” she says, "and where do you come from?" ”And what about yourself, baby, boom, boom, boom, boomer?" This time she's caught her baby on the upbeat, just as he touched a home, though not his own.
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